Guitar Amp Review: EVH Amps

The EVH 5150 III HD Guitar Amp Head
The EVH 5150 III matched with 4x12 Celestion signature speakers is the most powerful set of EVH guitar amps. Music players are now able to get their dream Van Halen sound.
This professional all-tube guitar amp combined with a 4x12 speaker cabinet loaded with the EVH signature speakers has become the most preferred set for a powerful theatre performance. The ultimate amplifier was conceptualized and designed by one of the respected rock guitar living legends himself, Eddie Van Halen in collaboration with Fender Musical Instruments.
The EVH 5150 III is a new line of EVH guitar amps. It was developed to meet the amplifying tastes of this rock guitar legend. Both music players and instrumentalists agree on the "brown sound" quality, the signature Van Halen tone, which this new guitar amp boasts of.
It features a flexible 3-channel amplifier that enables musicians to create varying tones from crystal clean, well-defined sound, the "brownest" punch to the high-gain distortion and limitless creative harmonics and tone. It's indeed every music player's dream come true.
The front panel of this EVH amp contains charming features for easy control. It has one input jack for your guitar and three individual channel groupings with Gain, Low, Mid, High and Volume controls. The push button select switches for channel selection allow you for easy channel control in case the foot controller is not easily accessible. The presence controls at far right enable you to switch between separately assigned channels.
What completes this guitar amp's ultimate performance is the 4x12 Celestion EVH signature speakers enclosure which delivers unparalleled punch and power. Its size is perfectly matched to the EVH 5150 III which measures 29.75" in length, 10.25" tall and 11.5" deep.
This all-tube power amplifier weighs 55 lbs, significantly lighter than other guitar amps of the same type, yet rated at an amazing 100- Watt power via tube configuration of four 6L6WXT output tubes and eight 12AX7 preamp tubes. This means that you have all what you need for medium and large stages. The gain, volume, presence, low, mid, high, the FX loop and footswitch, they all speak of overall quality that rock bands, sound engineers and instrumentalists have nothing more to ask for. All features are packed in a no-compromise construction that guarantees durability which will last for generations. The EVH 5150 III comes in black and ivory.

Performance Anxiety When Playing Your Guitar

Everyone who has ever performed has felt it! Those sweaty palms...the butterflies in the tummy... the absolute fear and dread!
Just what can you do to combat those nerves? The best thing is to realize that nerves are actually good for you.
SAY WHAT?
Yes, that's right! They're actually good for you IF you learn to manage them properly. Nerves can make your performance "sharp" or "on the edge" but it can cut both ways. It doesn't matter whether you're playing a few pieces to one or two people, or you're playing a whole recital to hundreds, nerves can really wreck things. The best way to combat this is to be really PREPARED. If you really know your music you will feel more comfortable as you begin your performance.
After you know your music you should take the time rehearse properly, which includes going through your pieces very slowly to make sure your finger memory is secure. You must also be very relaxed within yourself as tension and worry, even fear, can get the better of you, destroying what should have been a thoroughly practiced performance.
Relaxation may take the form of meditation or just occupying your time with some pleasant form of interest or hobby away from the instrument itself. Distraction can be positive. I remember I was playing at my teacher's soiree many years ago and was traveling in my car to his place at night when a huge thunderstorm broke out.
My windshield wipers decided not to work at all so I had to put up an umbrella with one hand outside the window and try to shield my vision from the driving rain so as not to crash! This went on for almost the entire journey of about 15 minutes and I was so angry and annoyed when I arrived that I forgot about being nervous and played the best I'd ever done up to that point. I remember Adam (my Teacher) saying as much and thought to myself... "Maybe I should get angry more often".
I must admit, I still don't really enjoy performing as much as teaching but I guess that's just my calling. I do know, however, that it did take me some time, and quite a bit of determination to overcome my fear of performance. Several years ago I did some "Master Training" with Michael Domeyko Rowland, who wrote the best seller..."Absolute Happiness" and conducts training courses in self development, personal growth and meditation both here in Australia and overseas. He has also appeared with Louise L. Hay, Deepak Chopra and others...
One of the very many useful and practical tips I picked up was how to re-program my mind for success in any venture. It's quite a simple technique really called 22x11. It's where for 11 days you write a statement of intent out (or type it on your computer) 22 times with 22 responses also recorded. It must be framed in the present and positive tense and it can be on any topic you like.
An example would be... "I am now performing brilliantly in public on guitar in perfect ways", or something similar to this. You then write down the first response you have to that statement which could be anything from... "I feel like a cup of tea" to "Don't be stupid - you're CRAP" or anything in between.
It is important to write down your response or even to write "no response" as it is a means to clear your subconscious of "blocks" it may have had since childhood which was put in there by yourself or someone else (not usually intentional but almost unavoidable). It is Rowland's contention that we can't really change our behavior until our thoughts that control us are brought to the "surface" for examination. In other words, we are controlled by our subconscious conditioning and until we are aware of that conditioning we can do nothing to change it.
I must say after doing it myself many times, on many different topics, it seems to have helped me immensely but beware, it does take some work and you can touch "raw nerves" even though it is a very simple technique/tool to use. For a more detailed examination of this technique I suggest you by the book. It should be available at most good book stores.

Those Who Have Made The Guitar Famous

The guitar has sat somewhat quietly in the background for over a thousand years. You can see it when you look through history in many different forms.
From the lute, to the Egyptian "Lan" and then up to the more recent ways we recognize it, acoustic guitar and electric guitar.
No matter what shape it has taken on over the ages it has always been a very important part of collaboration in music. It can very easily be played alone and make a beautiful tune, or it can be accompanied by several other instruments to form an entire symphony. OK, so maybe symphony is going a bit far, but did you know the piano is actually a stringed instrument? Yes indeed the guitar and piano share much of their tones and accents with one another. So, perhaps we could envision Beethoven or Mozart strumming away on a gorgeous classical guitar rather than tickling the ivories.
Though it seemed to be nothing more than a supporting instrument for many years some very influential people came around over the years to take the guitar to a whole new stratosphere.
Going back as early as the 1940's, Elvis Presley and Johnny Cash started to show us what the guitar can really do on its own. Musicians like Buddy Holly, Chuck Berry and a whole slew of blues guitarist such as B.B. King really started to Rock n Roll on the guitar. Showing the world that there were much more than single notes that could be played on this instrument. You could actually take proper scales and turn those into songs, and what we would later describe as solos. This truly changed the face of the guitar as it was. Taking this amazing instrument from a background strumming to the front-line of the stage and blowing minds across the globe.
From these initial scales and "new notes" that were discovered came a whole new movement on the guitar which some of the most famous musicians were a part of. Jimi Hendrix took them to a different level putting his own psychedelic spin on it. Jimmy Page of Led Zeppelin took a more traditional look at the blues guitar but sped it up and made it more intricate than anyone had ever even imagined was possible. Tony Iommi of Black Sabbath put a dark twist on everything and thus began the birth of what we now call "metal music."
Once we "discovered" this metal guitar the world of guitar took on a whole new light. With immense speed of these scales like Kirk Hammet of Metallica, speed riffs through scales ranging from old blues all the way up to classical scales that no one had heard of on anything other than a piano. This brought into the lime light amazing guitar players such as Yngwie Malmstein who has shattered many ideas of what the boundaries of a guitar really are. If you have not heard of him I strongly suggest you take a quick peek at what he has to offer. It is truly amazing what he can do with this ancient and beautiful instrument.
Going through the times from simple strumming all the way up to the fast, finger smoking metal, the guitar has really stood out among the other instruments as a true long stander. While some instruments seem to fade off into the background or simply not be tolerable without supporting instruments, the guitar can stand out alone or be a perfect addition to any musical group.

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